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Pieter Aertsen
The Egg Dance
1557
Rijksmuseum, Amsterdam
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Pieter Aertsen
The Adoration of the Shepherds
Musee des Beaux-Arts, Rouen
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Pieter Aertsen
Market Scene
Wallraf-Richartz Museum
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Pieter Aertsen
Market Scene_a
1550
Pinakothek, Munich
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Pieter Aertsen
Market Woman with Vegetable Stall
1567
Staatliche, Berlin
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Pieter Aertsen
Butcher's Stall with the Flight into Egypt
1551
Uppsala University Art Collection
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Pieter Aertsen
Market Scene with Christ and the Adulteress
1559
Stadelsches Kunstinstitut, Frankfurt
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Pieter Aertsen
Market Scene
undated
Oil on oakwood,127 x 85 cm
Wallraf-Richartz-Museum,Cologne
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Pieter Aertsen
Christ and the Adulteress (mk14)
1559
Oil on wood,122 x 177 cm
Stadelsches Kunstinstitut,Frankfurt
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Pieter Aertsen
Market Scene(Ecce Homo fragment) (mk14)
c 1550
Oil on oakwood,59.5 x 122.5 cm
Alte Pinakothek,Munich
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Pieter Aertsen
Market Woman with Vegetable Stall (mk14)
1567
Oil on wood,111 x 110 cm
Stiftung preuischer Kulturbesitz,Staatliche Museen,Berlin
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Pieter Aertsen
Butcher's Stall (mk14)
1551
Oil on wood,124 x 169
University Art Collection,Uppsala
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Pieter Aertsen
Apostles Peter and John
1575
Oil on wood, 55,5 x 76 cm cm
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Pieter Aertsen
Market Scene (detail)
1561
Oil on wood
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Pieter Aertsen
Market Scene
Oil on oak,
127 x 85 cm
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Pieter Aertsen
Market Scene
Oil on oak wood,
91 x 112 cm
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Pieter Aertsen
Vanitas still-life in the background Christ in the House of Mary and Martha
mk150
1552
Signed and dated
Panel
60x101.5cm
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Pieter Aertsen
Peasants by the Hearth
mk156
1556
Oil on panel
142.3x198cm
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Pieter Aertsen
Butcher sale state with flight nacb Agypten
mk186
1551
Uppsala, Universiter Konstsamling
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Pieter Aertsen
Museums national market woman at the Gemusestand
mk186
1567 Berlin foundation, Gemaldegalerie
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| Pieter Aertsen
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1508-1575
Flemish
Pieter Aertsen Galleries
Dutch painter and draughtsman, active also in the southern Netherlands. He probably trained in his native Amsterdam but early on moved to Antwerp, where he enrolled in the Guild of St Luke as a master in 1535. In 1542 he was granted citizenship of the city. Among his pupils in Antwerp were Johannes Stradanus and later Joachim Beuckelaer, a cousin of the artist wife and his most loyal follower. The earliest known work by Aertsen is a triptych with the Crucifixion (c. 1545-6; Antwerp, Maagdenhuismus.) for the van den Biest Almshouse in Antwerp. From 1550 Aertsen development can be traced through a large number of signed and dated paintings. Religious works, mostly intended for churches, must have formed an important part of Aertsen output. His early paintings seem to have been strongly influenced by other Antwerp artists, as can be seen in the van den Biest triptych, where the figures are close to those in Jan Sanders van Hemessen background scenes. Van Hemessen influence is also strong in the pair of triptychs showing the Seven Sorrows of the Virgin and the Seven Joys of the Virgin (the latter dated 1554; both Zoutleeuw, St Leonard).
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